Home Home Stories Stories Library Library Links Links
News News Search Search Forum Forum Shop Shop

 
 Print   Mail
this article
 
 » Sign in
 » Sign up
 » Sitemap
TVOX Stories
 
A Brief History of Synaesthesia and Music
 
Page 5
 



Alexander Scriabin
Alexander Scriabin.
Alexander Scriabin probably was not a synesthete, but, rather, was highly influenced by the French and Russian salon fashions. Most noticeably, Scriabin seems to have been strongly influenced by the writings and talks of the Russian mystic, Helena P. Blavatsky, founder of The Theosophical Society and author of such works as Isis Unveiled and The Secret Doctrine (see Dann 1998). The synesthetic motifs found in Scriabin’s compositions – most noticeably in Prometheus, composed in 1911 – are developed off of ideas from Newton, and follow a basic mathematical musical algorithm, called a circle of fifths (see ???; ???; and, of course, ???). The score of ??? contains a line designated «Luce»; this was for a light organ, playing two lines: one to correspond to Scriabin’s concepts of the «correct» colors for each musical key, as he modulated from key to key; the other, to counter the first lines colors. Scriabin and others were unable to realize a light-music performance of Prometheus until its premier performance in New York, in 1915, where, rather than using a color organ, colored light was projected onto a screen set above the orchestra performers’ heads, using a system designed by Preston S. Millar, W.F. Little, and William McKay (see ???).

Scriabin's system of colored musical keys:


C# Purple
F# Bright Blue/Violet
B Blue
E Sky Blue
A Green
D Yellow
G Orange
C Red
F Deep Red
Bb Rose/Steel
Eb Flesh
Ab Violet
Db Purple (same as C#)
Gb Bright Blue/Violet (same as F#)




Amy Beach
Amy Beach.
Amy Beach (1867-1944), American pianist and composer, who flourished c. 1900 - 1920's, was unquestionably a true synesthete. It turns out that Beach had both perfect pitch and a set of colors for musical keys.

"Other interesting stories about Amy's musical personality and her astounding abilities as a prodigy are recounted in almost all previous biographical writings. One such story is Amy's association of certain colors with certain keys. For instance, Amy might ask her mother to play the 'purple music' or the 'green music.' The most popular story, however, seems to be the one about Amy's going on a trip to California and notating on staff paper the exact pitches of bird calls she heard" (Brown 1994: 16).

"Amy's mother encouraged her to relate melodies to the colors blue, pink, or purple, but before long Amy had a wider range of colors, which she associated with certain major keys. Thus C was white, F-sharp black, E yellow, G red, A green, A-flat blue, D-flat violet or purple, and E-flat pink. Until the end of her life she associated these colors with those keys" (Jenkins 1994: 5-6).


«last page   1  2  3  4  5  6  7  8  9   next page» 

 

Comment List

Topic: Author:
Time:
my goals through syneasthesia
john tucker 24.12.2009 06:23
i believe that i have this also , my first experience was about a year and a half ago maybe two. i was at my friends house and he and another friend were playing Tony hawks skate when i came over, i was just sitting there when i felt really weird and i couldnt be in the same room as them,and these are good friends of mine. i went into the other room and picked up a guitar then started playing. all of a sudden it just hit me as i was playing. i felt something that felt like the perfect pitch it sounded that way to not matter what i did, and the color red slowly filled my vision.
i wasn't looking down either or i would have tried to recreate what i was playing. but i was to distracted by this blast of color that filled my eyes.

the only way i can portrey it is:

take a mental picture of everything in your line of vision, and take in the periferals also, now let red slowly mix in that picture until you see nothing but the color of a bright neon red.

my second experience was when i was talking to a counselor and as we conversed everything turned green. i just let it go and felt fine as we were talking, i thought it was just lack of sleep or something normal.

i seem to be able to trigger the color black through silence aka static.

does this mean that i am a synesthete?

either way right now i am eightteen, trying to get money to go to school for music so that i can teach music or guitar. and move into music therapy in the future where i might be able to find the answers to synesthesia.

i cant trigger it through music willingly, yet, but i hope to in the future so that every one and myself can experience this through my music.

if your a researcher and interested in talking leave a comment ill be checking back to this.
Synaesthesia and Music
Kate Morrow 15.12.2009 15:28
Wow this is so interesting. I think I have a mild form of this. I have always associated written music notes with particular colours, which also correspond to the respective piano keys. I was stunned to read the reasons why D is green (it has always been green for me!) and I too see C as yellow, E as pink and G as brown! Incredible to discover others see it the same way.

Scale systems seem to have a second, latent tonal center
Mark Helms 22.08.2009 18:29
If you graph where the various tones are in any given scale, most of them have a surprise in store for you. Their pattern of placement will nearly always be symmetrical, yet the axis of symmetry will seldom go through the tonic. It seems that most scales have, in essence, two tonics: one for each of the brain's hemispheres. Erasmus Darwin seems to have been right on the cusp of discovering what lies at the heart of much of music's affective power. His system of tone-color correspondence places Green at D, the note which is right on the axis of symmetry for the C major scale. And putting Green at the axis makes sense, as Green is right in the middle of the visible spectrum, perfectly placed for anchoring a symmetrical tone-color palette.
Synesthesia
Carl Bennett 09.02.2009 03:08

Wow, it's good to know I am no the only one.

I developed a musical linked Synesthesia after an accident many years ago. It took me 15 years to realise it was not just me.... That was only three years ago. Never told anyone as I thought they would not understand until 3 years ago.

I first realised it when I told a friend how good an LP looked???

My Synesthesia turns on and off dependent on whether I open or shut my eyes. It is difficult to explain as "sight would be to explain to someone that cannot see". Anyway.... I see a range of varying colours in soft and sharp shapes, but unlike some of you the colour and shape is determined by volume and depth of the music. For example, electric guitar is generally sharpe and bright in colour, such as yellow and a bass guitar deep purple and rounded.

I cannot read music as the notes dance around when music is playing but I can learn to play instruments fairly easily.

This may sound stupid, but does anyone think this makes them more "understanding" or "deeper thinking"?
   RE: Synesthesia
Emily Bourke 22.05.2009 13:03
I also have synesthesia, and I understand what you mean. Half the time I need to have my eyes closed to actually see the colours and patterns, but then other times I can also see it with my eyes open. If I can't see it with my eyes open, I can generally 'sense' the colours around me and such. Does anyone else experience it like that?

And sorry if this is messy, I am new to this forum thing and don't know if this is how I reply to a post xD

music coloures
hani alrashdi 22.11.2008 23:34

i can see all the write coloures of music.im sure i can see the music pictureill give u examples:piano:white/guitar:yellow/flute:pink and im sure there is blue and green and i can give you the colour of the sound exactly/and there is some sounds composed of 2 or 3 coloures and i can see the picture of the musical sentence clearely thats why i can play any musical sentence while i cant read the notes of music how can i help?i can differentiate between these coloures without any confusion in the degree of the colour for example i can find the pink colour degree not any pink which is in some instruments become darker in the higher octave in some instruments but the colour become lighter in the other instrument

   RE: music coloures
Huw Clarke 27.11.2008 15:48
Hey whats up!

My name is Huw Clarke from Wales in the UK and I recently discovered that i have this version of synasthesia, I am doing a major creative project on it this year for my final year at university studying popular music. Could i ask for some peoples e-mail addresses cos i would absolutely find it so helpful if i could speak to some of you about your versions of it, the colours/textures you see so you could contribute to my work so to say.

My address is hellchild_66618@hotmail.com if anyone wants to add me.

Thank you

Huw


> i can see all the write coloures of music.im sure i can see
> the music pictureill give u
> examples:piano:white/guitar:yellow/flute:pink and im sure
> there is blue and green and i can give you the colour of
> the sound exactly/and there is some sounds composed of 2 or
> 3 coloures and i can see the picture of the musical sentence
> clearely thats why i can play any musical sentence while i
> cant read the notes of music how can i help?i can
> differentiate between these coloures without any confusion
> in the degree of the colour for example i can find the pink
> colour degree not any pink which is in some instruments
> become darker in the higher octave in some instruments but
> the colour become lighter in the other instrument
>
>
Amazing
Alice Crossroads 06.02.2008 23:16
I have just found out about this wonderful thing called synaesthesia and i think it is beautiful the way you picture songs colers places and things. I found out about this just yesterday and i am eager to learn more about it all. I read the book " A Mango Shaped Place" and typed up synaethesia to learn more about it and came across this.

i am speechless
Music Synesthesia
Phil Nyce 11.12.2007 21:19
I can never pinpoint the exact color of the notes i hear and they usually mix with sort of image that is difficult to describe.

When distortion or overdrive is added to guitars, i get this static or grainy type of image. this is the only somewhat describable image and it varies from degree of overdrive to degree.

It's not only color, but i "see" the sound or note. If something is played on a violin, i see the note drawn out and i usually see it in a tan color.

Piano notes seem to have a more percussive and black and white image to them, like the keys.

High to mid-range guitar notes are almost always yellow and the guitar screech from Jimi Hendrix's "Foxy Lady" is very purple and grainy with overdrive.

bass guitars have colors in the black to purple range, incorporating other dark yellow tones as well.

This is the best description i can give. It's really impossible to communicate the "sensation" or "image" that reflects the music but there's definitely something weird about it.

It makes music more interesting and adds "dimension".
CAN YOU HEAR, SMELL, TASTE OR FEEL COLOURS OR SHAPES?
T P 30.08.2007 16:38
http://theartbeyondsight.blogspot.com/
   RE: CAN YOU HEAR, SMELL, TASTE OR FEEL COLOURS OR SHAPES?
sam burrell 16.11.2007 08:35
> http://theartbeyondsight.blogspot.com/


yea
i dunno
when i hear an individual note
i see a flurry of colors that act in different ways
like
a low E flat
i see a flashing of lights
and i feel weightless and extra heavy at the same time
but as soon as i hear more notes together
like in a song
in my mind
i see places
these places are usually more vivid than the real world
but i can't help but wonder if i really have synesthesia
or if i just have a wild imagination
Volume
lance h 07.04.2006 07:03

i also experience notes and sounds as 'textures' and sometimes colors. Dm is a deep midnight blue, Dmaj more purple in hue. the 'textures' are akin to a 'feeling on the skin' but on some other skin that doesn't exist - somehow outside of spatial dimension.

the curious thing, for me, is that these effects generally only occur at high volume levels, or intensities. and they are not neccessarily 'logical' at all: the white needle of a test pattern whine is somehow also blunt and smooth and chrome and cool.

somehow, somehow: this has led me to a love of noise music and experimental artists who work with high-volume soundscapes. i just hope i don't go deaf anytime soon ;)
Synesthesia
Cecily s 08.01.2006 15:06

I am a synesthesiac with perfect pitch, and I always see different notes as colours, not keys. For example, a C major chord consists of a C - red/yellow, E - pink, and a G - brown. When I hear this chord, I see all of these colours ina picture that I can't describe. It has been very interesting to see how other people conceive things, and also how they can find it difficult to describe. I also see the texture of sounds; a c major chord played quite long on a stringed instrument reminds me of something in a very sticky substance, amber or resin, for example.
Synaesthesia is Fascinating
Kip Rosser 21.01.2005 08:52
This is one of the most comprehensive treatises I've ever read about the phenomenon of synaesthesia. The depth and breadth of the research is stunning.
synaesthesia
Nicole Collins 16.11.2004 07:55

Thanks for an informative article. It has given me lot's of names to follow up on.
I am a painter and teach Colour and 2D Design at an art college and am researching for a section on synaesthesia for my classes. I'm really looking forward to exposing the students (and myself) to some experimental music to go along with the abstract painting that we will explore.
cheers
Nicole Collins
   RE: synaesthesia
marty quinn 17.10.2007 23:23
Nicole,

I have just given a talk at the MET as part of the Art Beyond Sight Multimodal Approaches to Learning, Creativity and Communication on ArtMusic. I would be interested to hear what you think of my approach. You can view and listen to a number of art works as music at www.drsrl.com/artmusic.

Regards,

Marty Quinn
>
> Thanks for an informative article. It has given me lot's of
> names to follow up on.
> I am a painter and teach Colour and 2D Design at an art
> college and am researching for a section on synaesthesia
> for my classes. I'm really looking forward to exposing the
> students (and myself) to some experimental music to go
> along with the abstract painting that we will explore.
> cheers
> Nicole Collins
 
TVOX Search
 
Copyright 2001-2006 © Valerio Saggini. - Privacy Policy - Feedback