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A Brief History of Synaesthesia and Music
 
Page 7
 


Kandinsky, working in the 1920’s, was also not a synesthete, despite his fame for his synesthetic artwork. Many of his paintings and stage pieces were based upon a set and established system of correspondences between colors and the timbres of specific musical instruments. Kandinsky himself, however, stated that his correspondences between colors and musical timbres has no «scientific» basis, but was founded upon a combination of his own personal feelings, current prevailing cultural biases, and mysticism (see Kandinsky 1994; see also Dann 1998; Riccò 1999: 138-142).

Schematization of the correspondences between colors and musical timbres according to Kandinsky:


Colors

Musical timbres

Yellow Trumpet; Sound of the fanfare
Azure Flute
Blue Deep sounds from the organ
Dark blue Cello
Very dark blue Bass
Green Middle tones of the violin
White Temporary pause
Black Conclusive pause
Gray Lack of sound
Bright red Fanfare; Tuba/Horn
Crimson red Drum-roll; Tuba/Horn
Cool red Medium and deep tones of the cello
Bright cool red Other tones of the violin
Orange Middle bells of the church; Strong contralto voice; Viola
Violet English horn; Bagpipe
Deep purple Deep tones of the woodwinds; Bassoon


Sir Arthur Bliss, who wrote his Colour Symphony in 1922, was not a synesthete. He was simply yet another influenced by the ideas of «color music», although, for him, it did not come with the trappings of mystic religions, but, rather, with British traditions. The symphony features four movements: Purple; Red; Blue; and Green. Bliss based this work upon the symbolism generally associated with the colors in traditional English heraldry, along the following lines: «Purple – Amethysts, Pageantry, Royalty – and Death; Red – Rubies, Wine, Furnaces, Magic, …; Blue – Sapphires, Deep Water, Skies, Loyalty, Melancholy; Green – Emeralds, Hope, Youth, Joy, Spring, and Victory» (Dannatt 1991).

Around 1925, Alexander László, Hungarian musician and composer (born in 1895) composed a small set of Lichtmusik (light-music) pieces, including Eleven preludes (opus 10). Eleven preludes had the following scheme: 1. ultramarine; 2. yellow; 3. violet; 4. leaf-green; 5. grey; 6. red; 7. ice-blue; 8. white; 9. sea-green; 10. cress; 11. black. It is quite questionable as to whether László was a synaesthete; my current guess is that he probably was not.


Thomas Wilfred
Thomas Wilfred.


Also in the 1920’s, Danish-born Thomas Wilfred came to the United States, became involved with the Theosophist movement, and designed and built a «color organ» which he named the Clavilux. He named the art-form produced «Lumia». He toured the U.S. and Europe, giving concerts. Likewise, Mary Hallock Greenewalt developed a color-organ which she named the Sarabet, on which she also gave concerts (see Moritz 2000).


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Comment List

Topic: Author:
Time:
my goals through syneasthesia
john tucker 24.12.2009 06:23
i believe that i have this also , my first experience was about a year and a half ago maybe two. i was at my friends house and he and another friend were playing Tony hawks skate when i came over, i was just sitting there when i felt really weird and i couldnt be in the same room as them,and these are good friends of mine. i went into the other room and picked up a guitar then started playing. all of a sudden it just hit me as i was playing. i felt something that felt like the perfect pitch it sounded that way to not matter what i did, and the color red slowly filled my vision.
i wasn't looking down either or i would have tried to recreate what i was playing. but i was to distracted by this blast of color that filled my eyes.

the only way i can portrey it is:

take a mental picture of everything in your line of vision, and take in the periferals also, now let red slowly mix in that picture until you see nothing but the color of a bright neon red.

my second experience was when i was talking to a counselor and as we conversed everything turned green. i just let it go and felt fine as we were talking, i thought it was just lack of sleep or something normal.

i seem to be able to trigger the color black through silence aka static.

does this mean that i am a synesthete?

either way right now i am eightteen, trying to get money to go to school for music so that i can teach music or guitar. and move into music therapy in the future where i might be able to find the answers to synesthesia.

i cant trigger it through music willingly, yet, but i hope to in the future so that every one and myself can experience this through my music.

if your a researcher and interested in talking leave a comment ill be checking back to this.
Synaesthesia and Music
Kate Morrow 15.12.2009 15:28
Wow this is so interesting. I think I have a mild form of this. I have always associated written music notes with particular colours, which also correspond to the respective piano keys. I was stunned to read the reasons why D is green (it has always been green for me!) and I too see C as yellow, E as pink and G as brown! Incredible to discover others see it the same way.

Scale systems seem to have a second, latent tonal center
Mark Helms 22.08.2009 18:29
If you graph where the various tones are in any given scale, most of them have a surprise in store for you. Their pattern of placement will nearly always be symmetrical, yet the axis of symmetry will seldom go through the tonic. It seems that most scales have, in essence, two tonics: one for each of the brain's hemispheres. Erasmus Darwin seems to have been right on the cusp of discovering what lies at the heart of much of music's affective power. His system of tone-color correspondence places Green at D, the note which is right on the axis of symmetry for the C major scale. And putting Green at the axis makes sense, as Green is right in the middle of the visible spectrum, perfectly placed for anchoring a symmetrical tone-color palette.
Synesthesia
Carl Bennett 09.02.2009 03:08

Wow, it's good to know I am no the only one.

I developed a musical linked Synesthesia after an accident many years ago. It took me 15 years to realise it was not just me.... That was only three years ago. Never told anyone as I thought they would not understand until 3 years ago.

I first realised it when I told a friend how good an LP looked???

My Synesthesia turns on and off dependent on whether I open or shut my eyes. It is difficult to explain as "sight would be to explain to someone that cannot see". Anyway.... I see a range of varying colours in soft and sharp shapes, but unlike some of you the colour and shape is determined by volume and depth of the music. For example, electric guitar is generally sharpe and bright in colour, such as yellow and a bass guitar deep purple and rounded.

I cannot read music as the notes dance around when music is playing but I can learn to play instruments fairly easily.

This may sound stupid, but does anyone think this makes them more "understanding" or "deeper thinking"?
   RE: Synesthesia
Emily Bourke 22.05.2009 13:03
I also have synesthesia, and I understand what you mean. Half the time I need to have my eyes closed to actually see the colours and patterns, but then other times I can also see it with my eyes open. If I can't see it with my eyes open, I can generally 'sense' the colours around me and such. Does anyone else experience it like that?

And sorry if this is messy, I am new to this forum thing and don't know if this is how I reply to a post xD

music coloures
hani alrashdi 22.11.2008 23:34

i can see all the write coloures of music.im sure i can see the music pictureill give u examples:piano:white/guitar:yellow/flute:pink and im sure there is blue and green and i can give you the colour of the sound exactly/and there is some sounds composed of 2 or 3 coloures and i can see the picture of the musical sentence clearely thats why i can play any musical sentence while i cant read the notes of music how can i help?i can differentiate between these coloures without any confusion in the degree of the colour for example i can find the pink colour degree not any pink which is in some instruments become darker in the higher octave in some instruments but the colour become lighter in the other instrument

   RE: music coloures
Huw Clarke 27.11.2008 15:48
Hey whats up!

My name is Huw Clarke from Wales in the UK and I recently discovered that i have this version of synasthesia, I am doing a major creative project on it this year for my final year at university studying popular music. Could i ask for some peoples e-mail addresses cos i would absolutely find it so helpful if i could speak to some of you about your versions of it, the colours/textures you see so you could contribute to my work so to say.

My address is hellchild_66618@hotmail.com if anyone wants to add me.

Thank you

Huw


> i can see all the write coloures of music.im sure i can see
> the music pictureill give u
> examples:piano:white/guitar:yellow/flute:pink and im sure
> there is blue and green and i can give you the colour of
> the sound exactly/and there is some sounds composed of 2 or
> 3 coloures and i can see the picture of the musical sentence
> clearely thats why i can play any musical sentence while i
> cant read the notes of music how can i help?i can
> differentiate between these coloures without any confusion
> in the degree of the colour for example i can find the pink
> colour degree not any pink which is in some instruments
> become darker in the higher octave in some instruments but
> the colour become lighter in the other instrument
>
>
Amazing
Alice Crossroads 06.02.2008 23:16
I have just found out about this wonderful thing called synaesthesia and i think it is beautiful the way you picture songs colers places and things. I found out about this just yesterday and i am eager to learn more about it all. I read the book " A Mango Shaped Place" and typed up synaethesia to learn more about it and came across this.

i am speechless
Music Synesthesia
Phil Nyce 11.12.2007 21:19
I can never pinpoint the exact color of the notes i hear and they usually mix with sort of image that is difficult to describe.

When distortion or overdrive is added to guitars, i get this static or grainy type of image. this is the only somewhat describable image and it varies from degree of overdrive to degree.

It's not only color, but i "see" the sound or note. If something is played on a violin, i see the note drawn out and i usually see it in a tan color.

Piano notes seem to have a more percussive and black and white image to them, like the keys.

High to mid-range guitar notes are almost always yellow and the guitar screech from Jimi Hendrix's "Foxy Lady" is very purple and grainy with overdrive.

bass guitars have colors in the black to purple range, incorporating other dark yellow tones as well.

This is the best description i can give. It's really impossible to communicate the "sensation" or "image" that reflects the music but there's definitely something weird about it.

It makes music more interesting and adds "dimension".
CAN YOU HEAR, SMELL, TASTE OR FEEL COLOURS OR SHAPES?
T P 30.08.2007 16:38
http://theartbeyondsight.blogspot.com/
   RE: CAN YOU HEAR, SMELL, TASTE OR FEEL COLOURS OR SHAPES?
sam burrell 16.11.2007 08:35
> http://theartbeyondsight.blogspot.com/


yea
i dunno
when i hear an individual note
i see a flurry of colors that act in different ways
like
a low E flat
i see a flashing of lights
and i feel weightless and extra heavy at the same time
but as soon as i hear more notes together
like in a song
in my mind
i see places
these places are usually more vivid than the real world
but i can't help but wonder if i really have synesthesia
or if i just have a wild imagination
Volume
lance h 07.04.2006 07:03

i also experience notes and sounds as 'textures' and sometimes colors. Dm is a deep midnight blue, Dmaj more purple in hue. the 'textures' are akin to a 'feeling on the skin' but on some other skin that doesn't exist - somehow outside of spatial dimension.

the curious thing, for me, is that these effects generally only occur at high volume levels, or intensities. and they are not neccessarily 'logical' at all: the white needle of a test pattern whine is somehow also blunt and smooth and chrome and cool.

somehow, somehow: this has led me to a love of noise music and experimental artists who work with high-volume soundscapes. i just hope i don't go deaf anytime soon ;)
Synesthesia
Cecily s 08.01.2006 15:06

I am a synesthesiac with perfect pitch, and I always see different notes as colours, not keys. For example, a C major chord consists of a C - red/yellow, E - pink, and a G - brown. When I hear this chord, I see all of these colours ina picture that I can't describe. It has been very interesting to see how other people conceive things, and also how they can find it difficult to describe. I also see the texture of sounds; a c major chord played quite long on a stringed instrument reminds me of something in a very sticky substance, amber or resin, for example.
Synaesthesia is Fascinating
Kip Rosser 21.01.2005 08:52
This is one of the most comprehensive treatises I've ever read about the phenomenon of synaesthesia. The depth and breadth of the research is stunning.
synaesthesia
Nicole Collins 16.11.2004 07:55

Thanks for an informative article. It has given me lot's of names to follow up on.
I am a painter and teach Colour and 2D Design at an art college and am researching for a section on synaesthesia for my classes. I'm really looking forward to exposing the students (and myself) to some experimental music to go along with the abstract painting that we will explore.
cheers
Nicole Collins
   RE: synaesthesia
marty quinn 17.10.2007 23:23
Nicole,

I have just given a talk at the MET as part of the Art Beyond Sight Multimodal Approaches to Learning, Creativity and Communication on ArtMusic. I would be interested to hear what you think of my approach. You can view and listen to a number of art works as music at www.drsrl.com/artmusic.

Regards,

Marty Quinn
>
> Thanks for an informative article. It has given me lot's of
> names to follow up on.
> I am a painter and teach Colour and 2D Design at an art
> college and am researching for a section on synaesthesia
> for my classes. I'm really looking forward to exposing the
> students (and myself) to some experimental music to go
> along with the abstract painting that we will explore.
> cheers
> Nicole Collins
 
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